Reginald Dixon’s tenure at the Tower Ballroom in Blackpool, beginning in 1930, was a defining era for both his career and the venue’s reputation. Appointed as the resident organist, Dixon quickly became a central figure in the ballroom’s entertainment scene, bringing a new level of excitement and professionalism to the stage. Dixon’s performance style was marked by virtuosity and flair, characterized by a blend of classical music, popular tunes, and innovative arrangements. His ability to adapt his performances to suit various moods and occasions made each show unique and engaging. He skillfully utilized the Wurlitzer organ’s range of stops and effects, including the distinctive Tibia Plena stop, to create rich, resonant sounds that enhanced the theatrical experience of the ballroom.
